Creative Arts in Education and Therapy (Dec 2015)

Dramatherapy, Tai Chi & Embodiment

  • Clive Holmwood

DOI
https://doi.org/10.15534/CAET/2015/1/8
Journal volume & issue
Vol. 1, no. 1
pp. 63 – 75

Abstract

Read online

This paper will consider potential theoretical, philosophical and pragmatic connections between Dramatherapy (Jones, 1996) and Tai Chi (Zheng, Lo & Inn, 1985); I will specifically consider these connections from the Western perspective of embodiment (Shaw, 2003, Jones, 1996). Dramatherapy is a creative drama based psychological therapy. Tai Chi is an ancient form of martial art. Both approaches use movement and from a Western perspective that ‘embodiment’ could be central to both disciplines. I am interested in how embodiment through movement is a potential connection between these two seemingly very different disciplines, and how these may offer shared knowledge. I will acknowledge that the two disciplines come from very different backgrounds and philosophies and recognise that it is impossible not to generalise in a short article such as this. The aim is to compare and contrast these two disciplines based on my empirical experience of them. As a European trained Dramatherapist I approach this paper from a Western perspective, acknowledging the differing opinions and viewpoints between Eastern and Western philosophies and practice. The aim is to begin to consider some synthesis between a Western creative based therapy and an Eastern form of martial art; acknowledging that both use movement at their core.

Keywords