Intertextual Re-creation in Jamie O’Neill’s At Swim, Two Boys

Estudios Irlandeses. 2006;1(1):23-31

 

Journal Homepage

Journal Title: Estudios Irlandeses

ISSN: 1699-311X (Print)

Publisher: Asociación Española de Estudios Irlandeses

Society/Institution: Asociación Española de Estudios Irlandeses

LCC Subject Category: History (General) and history of Europe: History of Great Britain | Language and Literature

Country of publisher: Spain

Language of fulltext: Spanish; Castilian, English

Full-text formats available: PDF, HTML, XML

 

AUTHORS

Bertrand Cardin ( Université de Caen, Basse-Normandie, France )

EDITORIAL INFORMATION

Double blind peer review

Editorial Board

Instructions for authors

Time From Submission to Publication: 16 weeks

 

Abstract | Full Text

As the title of the book indicates, Jamie O’Neill’s At Swim, Two Boys, published in 2001, refers back to Flann O’Brien’s At Swim-Two-Birds (1939). Through the use of such a parodic title, O’Neill places himself within a postmodern literary tradition, involving the influence of famous Irish parodists such as O’Brien or Joyce, who overshadow his novel. This title alludes to a famous text, gives it a new meaning, a new story and re-locates it in a different context, namely a gay universe which calls to mind another famous literary predecessor, Oscar Wilde, a writer also referred to repeatedly, whether explicitly or implicitly, throughout the novel. This paper focuses on the intertextual articulations of the novel in connection with the theories advanced by Neil Corcoran, Augustine Martin and Harold Bloom, whose essays take a real interest in the literary phenomenon of intertextuality.