Sound Stage Screen (Nov 2021)

Review of Tereza Havelková, “Opera as Hypermedium: Meaning-Making, Immediacy, and the Politics of Perception” (2021)

  • Bianca De Mario

DOI
https://doi.org/10.54103/sss16655
Journal volume & issue
Vol. 1, no. 2

Abstract

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No abstracts available.