Towards the Theatre: Opasnyi Povorot (Dangerous Corner). The 1939 Production by G.M. Kozintsev at the Leningrad Comedy Theater

Abstract

The subject of this research is the first production in a series of theatrical works by G.M. Kozintsev (1905–1973) of the late 1930s — early 1950s, which are fundamentally important both in his creative biography and in the history of Soviet theatre of that era. The author suggests that the entry of the famous film director into theatre was caused by the desire to find a way out of a creative impasse. The director’s appeal to the play of the modern English novelist and playwright J.B. Priestley and its controversial interpretation were driven by the dramatic atmosphere of the late 1930s. The eccentric grotesque of the play and its pamphlet character, which was insisted on by the director, are considered as a parody of tragedy by the author of the research. This reveals a fundamental connection between the production under consideration and the subsequent successful experiments of G.M. Kozintsev in the field of theatrical Shakespeareana. The article draws attention to the fundamental connection between the style of the production and the general style of the Leningrad State Comedy Theatre developed by its director — the outstanding theatre director and set designer, G.M. Kozintsev and E.L. Schwartz’s friend and associate, N.P. Akimov. The research is based on the performance reviews, testimonies of the participants of the performance, contemporaries close to the director (especially the playwright and screenwriter E.L. Schwartz and the long-term G.M. Kozintsev’s co-author L.Z. Trauberg), as well as the surviving radio version of the play.

Keywords

• g.m. kozintsev
• n.p. akimov
• leningrad comedy theatre
• pamphlet
• parody
• tragedy