Norsk Medietidsskrift (Jan 1995)
The Pleasures and Profits of a Postmodern Film Historiography
Abstract
No longer can history writers believe themselves to be on the scene of the Real, writing Truth. Instead of regretting this, the article celebrates the freedom of the new situation. More issues than before are allowed historical treatment, and history can be written in numerous ways. But because histories create and have effect, the performers of history-writing are obliged to perform it ethically, and the article includes proposals on how this can be done.