« Grâce poétique » et œuvre d’art : méditations phénoménologiques dans le Journal de l’analogiste de Suzanne Lilar

Abstract

This article focuses on the Journal of the analogist (1954) by Suzanne Lilar, Belgian writer of Flemish origin and French expressions. Through the concepts of the original and the copy, the Belgian writer conceptualizes her own poetical experiences lived at different times in her life and their "symbolic act." The author demonstrates the importance of dialogic relationship between the artwork, the viewer-reader and artist. This dialogue leads the Belgian writer to discover the "liberated verbal" poetry of daily life, as well as the correspondence between the natural rhythms and artistic forms.

Keywords

• work of art
• poetics of everyday life
• original/copy
• correspondence
• natural forms
• artistic forms