A PROFILE SKETCH IN THE MIRROR OF ONE WORK: „SINUS” FOR CLARINET SOLO BY CRISTIAN MISIEVICI

Abstract

The work Sinus for the solo clarinet by Cristian Misievici was written in the year 1982. Under the name of “Sinus” the author makes a transposition of a sinusoidal movement, in the music area. The sinusoidal movement is conceived to be in a continuous broadening, it is nothing but the protection of the spiral in the space.[1] Having only 2'10" - a time that is specified by the author — it can be made a maximum of the concentration and of the organization of the sonorous material. This paper contains a structural analysis, which reveal the inner logic of this musical work, respective the presence of the sinus of the whole musical parameters. [1] “This geometrical shape has two variants: the ellicoid spiral and the plane one. They have a common symbolism that evokes the evolution, the emanation, the extension, the cyclical progressive development. (…). It is the representation of the movement that was started in a certain point and it is prolonged at the infinite, it could be projected far away in time, to the evolution of the material world or to the movement of the ideas.” in: Evseev, Ivan, Dictionar de simboluri si arhetipuri culturale (Dictionary of Symbols and Cultural Archetypes), Ed. Amacord, Timişoara, 1994, p. 172.

Keywords

• sinus
• Cristian Misievici
• clarinet
• solo
• analyses
• structure