Fotografía y violencia, los límites de la representación
Abstract
Photography succes is, at least in the beginning, her aptitude to imitate reality. Technical improvements are proofs of this search of perfection. The counterface of this affirmation is the definition of photography as a certain record of Truth. This relies in dualistic comprehension of the reality. In this work we confront this metaphysical vision of photography by analysing some photographys of violence
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