بازیافت (Dec 2020)

Taghazzul in Iqbal and Faiz' Poems

  • Maimona Subhani

DOI
https://doi.org/10.57156/bazyaft3714695
Journal volume & issue
Vol. 37, no. 1

Abstract

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ABSTRACT:Poem is known among important portions of poetry. It is necessary forpoet to keep the beauty of poem with poetry's compassion and sensitivity.The subject of poem should not organize in such way that becomes harsh inlistening. The arrangement of words should be made in a manner to portrayits sense of beauty and compassion. There are few poets in Urdu literaturewho try to maintain the color of "Taghazul" in their poetry. In fact Taghazulis a term of poetry. Terms are the source of communication in differentlanguages. The style, diction, cadence, imagination, elegancy, inflection andspontaneity in poetry are the elements which increase the beauty of ghazal.Taghazul is not a genre of poetry. In fact it came from the combination ofpainful emotions and desire. It is very important in taghazul to summarizethe delicacy and expression of words. If we look at the history of Urdupoem, from the poets of Anjuman-e-Punjab to Halqa-Arbab-e-Zuaq thereare many important names, but there are two names known as the pillar ofUrdu poetry. These are "Iqbal" and "Faiz". Both poets had the status of pillarin Urdu poetry. Iqbal presented the color of taghazul in his poemsbeautifully. "Shikwa, Jwab-e-Shikwa, Khizar rah, Shama-o-Shair, MasjadQurtaba and Saqi Nama are his very significant poems. Faiz didn't lost theline of taghazul he also continued this method. "Manzar, Tanhai, Raqeeb sy,Aa jao Africa, Mujh sy Pahli c Muhabat mary Mehbob na mang and Shishuka koi Maseeha nhi" are Faiz's key poems. Iqbal was a philosopher and hispoetry is vastly under this umbrella. And the poetry of Faiz consist thetension and emotions of public. Both poets belong to different eras and bothOS gƒÑÔ;gE-[ºÔÒ»@gzZÔzŠgZ£Ô(Y2020cŠ@*ðю)37DkÊ^m‡^etry to follow different visible perception of poetry. They became similar atone specific point that is taghazul in their poems, and this would beadmired in every era.

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