Post-Processing of VIS, NIR, and SWIR Multispectral Images of Paintings. New Discovery on the <i>The Drunkenness of Noah</i>, Painted by Andrea Sacchi, Stored at Palazzo Chigi (Ariccia, Rome)
Lucilla Pronti,
Martina Romani,
Gianluca Verona-Rinati,
Ombretta Tarquini,
Francesco Colao,
Marcello Colapietro,
Augusto Pifferi,
Mariangela Cestelli-Guidi,
Marco Marinelli
Affiliations
Lucilla Pronti
INFN-Laboratori Nazionali di Frascati, Via E. Fermi 40, 00044 Frascati, Italy
Martina Romani
INFN-Laboratori Nazionali di Frascati, Via E. Fermi 40, 00044 Frascati, Italy
Gianluca Verona-Rinati
INFN-Dipartimento di Ingegneria Industriale, Università degli Studi di Roma Tor Vergata, Department of Industrial Engineering, Via del Politecnico 1, 00133 Roma, Italy
Ombretta Tarquini
C.N.R. Istituto di Cristallografia - Area della Ricerca Roma 1, Via Salaria Km 29300, 00015 Monterotondo (RM), Italy
Francesco Colao
ENEA, Italian National Agency for New Technologies, Energy and Sustainable Economic Development, Via E. Fermi 45, 00044 Frascati (RM), Italy
Marcello Colapietro
C.N.R. Istituto di Cristallografia - Area della Ricerca Roma 1, Via Salaria Km 29300, 00015 Monterotondo (RM), Italy
Augusto Pifferi
C.N.R. Istituto di Cristallografia - Area della Ricerca Roma 1, Via Salaria Km 29300, 00015 Monterotondo (RM), Italy
Mariangela Cestelli-Guidi
INFN-Laboratori Nazionali di Frascati, Via E. Fermi 40, 00044 Frascati, Italy
Marco Marinelli
INFN-Dipartimento di Ingegneria Industriale, Università degli Studi di Roma Tor Vergata, Department of Industrial Engineering, Via del Politecnico 1, 00133 Roma, Italy
IR Reflectography applied to the identification of hidden details of paintings is extremely useful for authentication purposes and for revealing technical hidden features. Recently, multispectral imaging has replaced traditional imaging techniques thanks to the possibility to select specific spectral ranges bringing out interesting details of the paintings. VIS−NIR−SWIR images of one of the The Drunkenness of Noah versions painted by Andrea Sacchi, acquired with a modified reflex and InGaAs cameras, are presented in this research. Starting from multispectral images we performed post-processing analysis, using visible and infrared false-color images and principal component analysis (PCA) in order to highlight pentimenti and underdrawings. Radiography was performed in some areas to better investigate the inner pictorial layers. This study represents the first published scientific investigation of The Drunkenness of Noah’s artistic production, painted by Andrea Sacchi.