Migration agencies’ visual performance within the Border spectacle. The case of EU and Canadian institutions

Abstract

Abstract As images of international mobility circulate quickly and widely through digital and social media, they form a fundamental part of the discursive formations around border policies and material migration practices. Through a multi-modal visual analysis of the Twitter images accompanying the post of the four major migration institutions in the EU and Canada, this article explores in a comparative perspective how their visual narratives interact with the broader migration narrative across the two contexts. The study findings show that EUAA, FRONTEX, CBSA, and IRCC participate in the border spectacle as leading actors, and their visual communication while allows them to reinforce some of their respective migration governance key messages and display their multiple organizational identities at the same time enables the concealment of some of the critical themes of the EU and Canada migration governance.