Applied Sciences (Dec 2019)

Robust Speech Hashing for Digital Audio Forensics

  • Diego Renza,
  • Jaisson Vargas,
  • Dora M. Ballesteros

DOI
https://doi.org/10.3390/app10010249
Journal volume & issue
Vol. 10, no. 1
p. 249

Abstract

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The verification of the integrity and authenticity of multimedia content is an essential task in the forensic field, in order to make digital evidence admissible. The main objective is to establish whether the multimedia content has been manipulated with significant changes to its content, such as the removal of noise (e.g., a gunshot) that could clarify the facts of a crime. In this project we propose a method to generate a summary value for audio recordings, known as hash. Our method is robust, which means that if the audio has been modified slightly (without changing its significant content) with perceptual manipulations such as MPEG-4 AAC, the hash value of the new audio is very similar to that of the original audio; on the contrary, if the audio is altered and its content changes, for example with a low pass filter, the new hash value moves away from the original value. The method starts with the application of MFCC (Mel-frequency cepstrum coefficients) and the reduction of dimensions through the analysis of main components (principal component analysis, PCA). The reduced data is encrypted using as inputs two values from a particular binarization system using Collatz conjecture as the basis. Finally, a robust 96-bit code is obtained, which varies little when perceptual modifications are made to the signal such as compression or amplitude modification. According to experimental tests, the BER (bit error rate) between the hash value of the original audio recording and the manipulated audio recording is low for perceptual manipulations, i.e., 0% for FLAC and re-quantization, 1% in average for volume (−6 dB gain), less than 5% in average for MPEG-4 and resampling (using the FIR anti-aliasing filter); but more than 25% for non-perceptual manipulations such as low pass filtering (3 kHz, fifth order), additive noise, cutting and copy-move.

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