Comparing supervised and unsupervised approaches to multimodal emotion recognition

Abstract

We investigated emotion classification from brief video recordings from the GEMEP database wherein actors portrayed 18 emotions. Vocal features consisted of acoustic parameters related to frequency, intensity, spectral distribution, and durations. Facial features consisted of facial action units. We first performed a series of person-independent supervised classification experiments. Best performance (AUC = 0.88) was obtained by merging the output from the best unimodal vocal (Elastic Net, AUC = 0.82) and facial (Random Forest, AUC = 0.80) classifiers using a late fusion approach and the product rule method. All 18 emotions were recognized with above-chance recall, although recognition rates varied widely across emotions (e.g., high for amusement, anger, and disgust; and low for shame). Multimodal feature patterns for each emotion are described in terms of the vocal and facial features that contributed most to classifier performance. Next, a series of exploratory unsupervised classification experiments were performed to gain more insight into how emotion expressions are organized. Solutions from traditional clustering techniques were interpreted using decision trees in order to explore which features underlie clustering. Another approach utilized various dimensionality reduction techniques paired with inspection of data visualizations. Unsupervised methods did not cluster stimuli in terms of emotion categories, but several explanatory patterns were observed. Some could be interpreted in terms of valence and arousal, but actor and gender specific aspects also contributed to clustering. Identifying explanatory patterns holds great potential as a meta-heuristic when unsupervised methods are used in complex classification tasks.

Keywords

• Affective computing
• Facial expression
• Multimodal emotion recognition
• Supervised and unsupervised learning
• Vocal expression