PECULIARITIES OF THE MUSICAL LANGUAGE, COMPOSITION AND DRAMATURGY IN S. PISLARI’S COMPOSITION LES CANTILÈNES FOR PIANO

Abstract

The author of the given article analyzes the piano work by Snejana Pislari «Les Cantilènes», considered from the aspect of content and form. The conclusion is made that the musical language and the specifics of the composition and dramaturgy of this work are determined by the originality of its artistic idea and the composer’s individual style related to the implementation of the late romanticism stylistic paradigm.