Memoria de la Transición: entre la no-ficción y el falso documental

Abstract

The article confronts two ways of organizing the memory of Spanish Transition: one represented by Javier Cercas (Anatomía de un instante, El impostor), who turns to a novel without fiction, and the other proposed by Jordi Évole in Operación Palace, which is a fake documentary. The analysis allows to detect the great thematic axes of the memory of Transition, especially that of consensus, and go deeper into its potential subversive load.

Keywords

• javier cercas
• memory of transition
• jordi evole
• fake
• non-fiction