Soma Design: On Articulation, Materiality, Politics, and the Body. Interview with Kristina Höök

Abstract

Kristina Höök is Professor of Interaction Design at the Royal Institute of Technology (KTH), where she leads the Somaes­thetic Design Research Group, a lab that explores ways to reincorporate the body and movement into a design regime that has long privileged language and logic. Höök’s research on affective interaction, somaesthetic design, and the Inter­net of Things seeks to make life with technology more mean­ingful, enjoyable, creative, and aesthetically appealing by focusing on the soma, that is, on our living, purposive, sen­tient, perceptive body. Author of Designing with the Body: Somaesthetic Interaction Design (MIT Press, 2018), Kristina Höök starts by briefly defining soma design in connection with somaesthetics and feminist theories. In light of the fundamental definition of somaesthetics and the role of cultivation and appreciation, Höök makes some distinctions between soma design and other design approaches, discussing, for example, the ten­sions between the use of language and body, cultivation ver­sus correction, slowness versus solutionism, culture versus nature, and tangible versus digital materiality. She clarifies how the significance of articulating experience in detail for soma design does not betray the centrality of the body, where sketching, making, and coding could represent means of articulation in themselves.