SOME ASPECTS OF THE INTERPRETATION OF THE CHORAL MINIATURES BY ZLATA TKACI IN CONCERT PRACTICE

Abstract

This article includes an analysis of two choral creations signed by the well-known composer Zlata Tkaci, „Dulce plai” and „Lacul albastru”. Both miniatures include a range of means of expressiveness that help considerably the formation of the concept of musical creations. In interpretative practice during the preparation of the musical material at the rehearsals and on the stage, the choral miniatures of Z. Tkaci put a series of technical and conceptual difficulties before the conductor. The author comes with some ideas drawn from his interpretative practice, aimed to accelerate the process of studying the choral pieces and to bring to the public's ears an interpretation as perfect as possible of the above-mentioned creations.

Keywords

• musical concept
• musical form
• interpretation in concert
• musical means of expressiveness
• choral miniature
• interpretative processes
• choral writing
• zlata tkaci