The Factors Music Making in ''Tamhidat Eyn Ol Ghozat Hamedani'' in a glance

Abstract

Innovative industries In addition to their aesthetic functions have different effects on words. Endogenous music is one of the Innovative industries effects which can play an important role in beautifying the word and its effect on the audience. The Endogenous music is the music that comes with the use of verbal Innovative industries. Industries that are caused words by similarity or congruence of vowels and consonants more related to each other and created sensible phonetic relationship between them. Categories of frequency, phonology, pun and rhyme are among the Innovative industries that play a major role in creating the endogenous music of poem. In this study, with a descriptive - analytical approach the roll of music maker preparations as an example of a prose poem are discussed.The language of Ein ol-Ghozat in lingual preparations is of preacher and educational that has a addressing mode. He speaks with unadorned language with his audience. However, his words are coupled in some cases with rhythmic language that influences audience despite the intense and sharp in speech and makes his word penetration double in the listener. His Words music is natural music that the listener can feel it with their lives and takes effect of it. One feature of this language is order in the arrangement and companion construction of words that based on music and phonemes music. This music The Music gives importance and Individuation to each word and making preparations prose to a kind of prose poem. Applying some of the thin musical nuances such as the balances (Incrustation and puns) makes the music of book more effective and welcome catching. In other words, coordination of audio and verbal and synchronization that through them prose becomes rhythmic and melodic is one of the beautiful aspects of the mystical prose of Ein ol-Ghozat that arises from his words music and a makes special song, as nature accepts and enjoys its reading. This word music is seen in the garb of the phonetic and pun, repetition, and rhythm being in important parts of speech that close sometimes to prosodic weight. In the prose of Ein ol-Ghozat without feeling prosodic weight by listener, a Wave of song and weight dominates that is a result of phonetic and rhymes, and being Near a number of syllables in each mirror to each other and perhaps in all or part of the mirrors, the number of syllables is the same or close.Replication as a key element of the endogenous music is one of Ein ol-Ghozat 's stylistic characteristic. Replications are seen in three forms in Ein ol-Ghozat languages. 1- Phonetic repetition, this group consists of repeating the pun, rhyme and phoneme layout and etc. 2- Repetition of words or phrases. 3- Word Repetition: The Repetition is one of the most important and beautiful art repetition in preparations that in addition to give the integrated to prose is effective in order to better instill of the concept and content of the message of Ein ol-Ghozat, As repetition of the words "Alas," " O’ Friend," and "O’ Dear" in different phrases has a great influence in stimulation of feeling and induction emotional state to the reader's.Phonetic Repetition: One of the most important aspects of beauty in the mystical prose of Ein ol-Ghozat are voice and phonetic coordination that its peak can be found in a pun and rhyme and Incrustation. The using of rhyme in preparations is not the same. In a place that discussion is education and reasoning generally speaking, is not a poem, but in where that speaking is about stories and anecdotes and analogies or become emotional; usually poems used. One manifestation of this item is short sentences and aphorisms, whether in a place that the word is quote by an old or an important person or whether the author express his own speaks.Apart from these, Ein ol-Ghozat has worked other ways to enrich his words music. The most important of these methods are:•Bringing words that at least their initials are co-voiced. Such as: suffering and testing •Phonemes processing: a kind of endogenous music is repetition and consistency of consonants and vowels that in some cases, with creating the specific endogenous music cause highlighting the phrases and helps to conveying the message and delight of the audience. •Bringing together words that together make a pun is another species of Repetition in the language of Ein ol-Ghozat. This innovative array is One of the best examples of musical creating and growing in vocabulary or sentences. •Bringing together the co-Weight terms is one of the species of phonetic repetition in preparations. Repetition of words or phrases, are of those issues that is used in the mystical prose of Ein ol-Ghozat and is one of the stylistic features and music making elements of his Word. Repeat in Ein ol-Ghozat language, sometimes have artistic and rhetorical aspects that helps to being rhythmic of Ein ol-Ghozat prose and is effective in conveying the meaning and intention of the speaker. Ein ol-Ghozat meanwhile of repetition of thoughts and beliefs of the mystics, repeats words and combinations in the various types, while raising the words musical level and its making it melodic, increase the unilateral obligation role of his own speaking. Sometimes this repetition in the form of word or phrase in the end of sentence comes symmetrically, such that is in the order of the rows is hemistich and If in the terms of syllables number be long, makes a song in the words too