Subtílne mizanscény stredoveku (Subtle Mise-en-scènes of the Middle Ages)

Abstract

In her paper Anna A. Hlaváčová compares the concept of a Noh play Matsukaze with a Slovak altar painting from the Košice cathedral aiming to reconstruct the European medieval stage practices reflected in 15th century painting with the help of Japanese Noh where the stage continuity has been preserved until the present day.