MORFOLOGIC AND STYLISTIC ELEMENTS IN THE CYCLE FOUR PIECES FOR BASSOON AND PIANO BY OLEG NEGRUTA

Abstract

In this article, the author presents an interpretative analysis of one of the most popular national instrumental cycles "Four Pieces for Bassoon and Piano" signed by Oleg Negrutsa. The increased interest stems from its popularity, argument for including this composition as mandatory pieces in various national and international competitions. Also, this cycle is introduced in the author’s soloist repertoire, being interpreted recently in a doctoral recital. In this study are presented some recommendations regarding the interpretation, useful both for the young interpreters and for the professional ones. This material can be used in such disciplines as Instrument, History of Interpretative Art and Methodology of Teaching Specialty.

Keywords

• oleg negrutsa
• instrumental cycle
• bassoon
• scherzo
• doina
• hora
• nocturne