Достоевский и мировая культура: Филологический журнал (Dec 2023)

Charachters-Readers in Dostoevsky’s Novel The Possessed. The Sad Triumph of the Apocalypse

  • Liudmila I. Saraskina

DOI
https://doi.org/10.22455/2619-0311-2023-4-172-201
Journal volume & issue
no. 4 (24)
pp. 172 – 201

Abstract

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The paper analyses the phenomenon of being a reader compared with the phenomenon of being an author in Dostoevsky’s novel The Possessed, which has got the reputation of the most literary novel of the writer. For Dostoevsky, who was an intense and all-consuming reader from early youth, the purpose of reading was to draw from the books he read the art of creation, to take lessons in the craft of writing from fellow writers. In The Possessed the characters, engulfed by the powerful passion of literary creation with all its risks and adversities, form a kind of “authors’ union.” However, it is also a “readers’ union,” and the selfless experience of being a reader, devoid of egoism and ambition, proves to be constructive and transforming. Various and multifaceted books are involved in the lives of the characters of The Possessed. They turn to books for advice, consolation, or as a warning of danger. Of special importance are “well-thumbed books”: quite often, they tell us about their readers more than words and actions. The book that the author set on a character’s writing desk sometimes contains both the riddle of the character and the solution to it. The paper shows how, as the events in the novel become more and more macabre, leading to the disaster, the tone and the contents of literary reflections change radically. After many calamities in the universe of the novel remains the only Book around which the characters try to gather: the Apocalypse. The Apocalypse in The Possessed is indeed a Book in the book, and we can see how the novel’s characters strive to understand its message and accept it.

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