De kunst van het verbergen. Een lichtzinnige naziprins en de Nederlandse monarchie (discussiedossier over Bernhard. Een verborgen geschiedenis)

BMGN: Low Countries Historical Review. 2011;126(2):71-81 DOI 10.18352/bmgn-lchr.7311

 

Journal Homepage

Journal Title: BMGN: Low Countries Historical Review

ISSN: 0165-0505 (Print); 2211-2898 (Online)

Publisher: Utrecht University Library Open Access Journals (Publishing Services)

Society/Institution: Royal Netherlands Historical Society, Koninklijk Nederlands Historisch Genootschap(KNHG)

LCC Subject Category: History (General) and history of Europe: History of Low Countries - Benelux Countries

Country of publisher: Netherlands

Language of fulltext: Dutch; Flemish, English

Full-text formats available: PDF, XML

 

AUTHORS

G. Deneckere

EDITORIAL INFORMATION

Double blind peer review

Editorial Board

Instructions for authors

Time From Submission to Publication: 40 weeks

 

Abstract | Full Text

<p><strong><em>The Art of Dissimulation: A Frivolous Nazi Prince and the Dutch Monarchy</em></strong><br />Annejet van der Zijl’s biography Bernhard. Een verborgen geschiedenis [Bernhard: A Hidden History] deftly interweaves the family history of the ‘Zur Lippe-Biesterfelders’ with the social decline of the minor German aristocracy in the period of the German Empire, World War I and the Weimar Republic. This results in a probing description of a time and a milieu in which anti-democratic, extreme right-wing forces came to full bloom.</p><p> </p><p>The exact consequences of Prince Bernhard’s anti-democratic attitude for the Dutch monarchy as an institution are less well examined, however. The fact that Bernhard as a person perhaps did not have character to play the role of dictator, does nothing to lessen the danger posed by the popularity he enjoyed among ‘the people’ in the extreme circumstances of World War II and, more specifically, its final phase.</p><div> </div><div>This review is part of the <a href="/426/volume/126/issue/2/">discussion forum</a> 'Een verborgen geschiedenis' (Annejet van der Zijl).</div>