Ati-Atihan Lives

Abstract

Reviewing Patrick Alcedo’s documentary film, Ati-Atihan Lives, has forced me to look closely into a cultural practice that is affiliated with our Dinagyang in Iloilo. The latter has always fascinated me, particularly the intelligent choreography, the heart-pounding rhythmic beat of the drums that has lately been complemented by melodious music, and the impressive high energy level of the performers. The performances every year are known for the vibrant colors of the costumes and the phenomenal coordination and cooperation of the dancers and support staff of each “tribe.” Spellbound by the precision and complexity of movements, I would always wonder how two historical texts have been conflated in one cultural practice. The Ati-Atihan of Aklan and our Dinagyang in Iloilo commemorate two distinct historical events: the Barter of Panay and the celebration of the natives’ conversion to Christianity.

Keywords

• Ati-Atihan
• Aklan
• Patrick Alcedo
• Dinagyang