The Chincoteague Ponies and What It Means To Be Free

Abstract

The Chincoteague pony swim is a cherished tradition in Chincoteague, Virginia, where noble saltwater cowboys round up wild horses to be sold at auction the next day. The island thrives off this event’s economic impact, which is amplified through Marguerite Henry’s series “Misty of Chincoteague”, allowing the pony’s fame to reach all corners of the world. The tradition is rooted in Chincoteague culture, but several different ethical aspects come into question after critical consideration. The islander’s economic dependence and pride in the ponies and yearly round up act as a disguise for these ethical quandaries, through the practice of modern myth making. This paper explores concepts of breed, the state of being wild vs. free, language surrounding horses, and hidden symbols within the swims organization to uncover the covert way in which Chincoteague culture upholds colonial values.

Keywords

• breed
• chincoteague ponies
• colonialism
• culture
• ethics
• modern myth
• slavery
• taxidermy
• tourism
• wild.