Griselda Gambaro y el teatro de la crueldad artaudiano: un lugar crítico revisitado

Abstract

This paper reviews the most significant critical references that, since the 70’s, are referring to the possible influences or relations of resemblance be- tween Artaud’s Theater of Cruelty and Griselda Gambaro’s dramatic ideas in her neo-avantgarde theater. Starting from this review and from the re-read- ing and contextualization of the ideas collected by Artaud in The Theatre and Its Double, the specific scope of this critical issue is analyzed and discussed.

Keywords

• griselda gambaro, antonin artaud, teatro de la crueldad, teatro latinoamericano, teatro del absurdo