Lyrics as Law: Teaching the South African Constitution through Socially Conscious Songs

Abstract

Abstract The discussion of South Africa’s political history is incomplete without the role of music and musicians in shaping the narrative of resistance to injustice and the quest for a better society. The violence of colonialism and Apartheid, the optimistic transition to a constitutional order, and the frustration with the post-Apartheid democratic government are documented in South African songs. While other disciplines in the humanities have explored the importance of music in South Africa’s societal configuration, little attention has been given to the subject in the legal academy. As such, this article advances the argument that socially conscious songs can play a meaningful role in understanding the South African Constitution. This kind of engagement makes technical ideas and concepts relatable and enhances students’ skills to see issues from a multidimensional perspective.

Keywords

• Music
• South African Constitution
• critical legal theory
• human rights
• pedagogy