Paradoxes of the Ironical in the Works of the Swedish Rock Band Samla Mammas Manna

Abstract

The article is dedicated to manifestations of irony and humour in rock music as illustrated by the example of the Swedish progressive/avant-rock band Samla Mammas Manna (1969–2008). These manifestations often have a paradoxical (surprising, confusing) effect. What is paradoxical, for instance, is the combinations of artistic and stylistic elements which create a bright sound canvas. Samla Mammas Manna boldly and humorously combined twisted symphonic and rock structures with simple melodic and rhythmic fragments, avant-garde rock with folk elements and free-jazz improvisations. In relation to folklore, there is also a certain irony: it is not homage to ancient art, but its mocking rethinking. There is also a certain paradoxicality in the performing techniques, sometimes very unconventional (but always a brilliant display of technical mastery), and in stage appearance and live acts, inviting the audience to be a part of performance. The article provides a detailed analysis of Samla Mammas Manna’s artistic techniques, style evolution, musical and stage dramaturgy, and ways of interacting with the audience. It also discusses the influence of carnival and circus aesthetics on rock music.

Keywords

• samla mammas manna
• progressive rock
• avant-rock
• irony and humour in rock music
• rock in opposition
• swedish rock