L’art du mensonge d’Antoine Volodine

Abstract

This paper investigates about the connections between truth, falsehood, reality and fiction in Antoine Volodine’s works, analyses the books Des Anges mineurs (1999) and Nos animaux préférés (2006), and offers an interpretation of the short story Un monstre.

Keywords

• Volodine (Antoine)
• dystopian languages
• truth
• falsehood
• extrême contemporain