Ganapati Dharani Sutra: Oirat Texts

Abstract

Introduction. The tradition of worshiping Ganapati in Buddhism, including in religious traditions of Mongols, is an interesting — though understudied — issue. In Hinduism, this ancient deity was believed an evil demon (Vinayaka) inclined to create obstacles. Subsequently, when included in the Buddhist pantheon, its tantric forms became widespread enough in Tibet and Mongolia. In Buddhist teachings, Ganapati is seen as an emanation of Avalokiteshvara, and in some of its forms is associated with Chakrasamvara and Tara, hence having little in common with the Hindu Ganesha, the son of Parvati and Shiva, the Lord of the Ganas. The cult of Ganapati in Buddhist countries shows how the ancient deity of Hinduism had lost its original essence — to become an organic part of the Buddhist tantric tradition. Goals. The paper aims to introduce Oirat texts of the Ganapati Dharani Sutra. Materials and methods. Collections of Mongolian manuscripts in Russia and other countries contain a total of seven dharani sutras in the Oirat Clear Script. The study focuses on a Kalmyk manuscript from the Saxon State and University Library Dresden (Mongolian Collection) and a manuscript from the Mongolian Academy of Sciences (Institute of Language and Literature, Oirat Collection). The work employs textual research methods and tools of comparative historical analysis. Results. Some manuscripts in the Clear Script are literary works of minimal size that include two parts — Dharani Sutra of Lord Ganapati (Oir. Xutuqtu čuulγani ezen kemēküyin toqtōl) and Collected Dharanis of the Five Chapters of Pancharaksha (Oir. Pañcaragšyin tabun bölögiyin xurangyui). The combination of the two texts in a single work makes it possible to assume the worshipping practice of Ganapati be somewhat tied to that of the five Pancharaksha protector goddesses. In Buddhism, the Ganapati Dharani Sutra is recited for various purposes, such as welfare, virtuous reincarnation, new knowledge, and spiritual progress. Conclusions. Texts of the Ganapati Dharani Sutra and various iconographic images (forms) are integral to tantric practices believed instrumental in acquiring, cognizing and organizing new knowledge, thus forming milestone spiritual experiences on the path towards the ultimate goal of Buddhists.

Keywords

• buddhism
• ganapati
• hinduism
• ganesha
• oirat dharani sutras
• iconographic forms
• tantric ritual