Transformacija „vlasteoskog imanja” u ruskoj književnosti od 1910-ih do 1920-ih godina

[sic]. 2019;9(2) DOI 10.15291/sic/2.9.pub.4

 

Journal Homepage

Journal Title: [sic]

ISSN: 1847-7755 (Online)

Publisher: University of Zadar

LCC Subject Category: Language and Literature: Literature (General)

Country of publisher: Croatia

Language of fulltext: English, Croatian

Full-text formats available: PDF, HTML

 

AUTHORS

Olga Alimovna Bogdanova

EDITORIAL INFORMATION

Blind peer review

Editorial Board

Instructions for authors

Time From Submission to Publication: 24 weeks

 

Abstract | Full Text

The idea of the landlord's estate as “paradise on land,” traditional in the Russian culture of the late 19th and early 20th century, evolved in the literature of the 1910s and 1920s into the idea of the city-garden, which united the “beginning” and “ends” of the image of Biblical paradise – the Old Testament Eden and the Apocalyptic New Jerusalem. The substrate of the city-garden mythologem became the "estate topos," which indicates its plasticity and significant heuristic potential, i.e. not only its belonging to the former landowner estate of the 19th century, but also its ability to create new cultural modifications, such as the “city of the future” by V. V. Khlebnikov or the “city garden” in the prose of A. N. Tolstoy and in the Soviet poetry of the 1920s.Keywords: paradise, topics, landowner estate, estate topos, “city of the future,” “city-garden,” the first third of the 20th century, A. N. Tolstoy, V. V. Khlebnikov, V. V. Mayakovsky