The acquisition of foreign ideas and images in the Phoenician-Punic Pottery from Tas-Silġ, Malta

Abstract

The paper aims at providing an overview of the production of vessel forms, originating from prototypes coming from outside of the Maltese Archipelago between the 8th and the 5th c. BC. Most recent studies on this topic highlight the presence, common to all Phoenician sites in the central and western Mediterranean, of originals, copies, and adaptations of ceramic forms external to local productions. The phenomenon within Maltese pottery production, although present, appears less direct, especially in reference to the introduction of morphological characters typical of Greek ceramics; in fact, at the current state of research, there are no real imitations of Greek pottery, present instead in other Phoenician-Punic sites in the Mediterranean Sea (e.g., the black glazed cups). The adaptation of foreign shape and decoration is analysed through the data regarding a considerable amount of pottery discovered in a dump context in the sanctuary of Astarte in Tas-Silġ (Malta), dated between the second half of the 8th c. BC and the end of the 2nd c. BC. This wide chronological range allows to examine the acquisition and elaboration of ideas and images in the local manufacturing process and lifestyle in a diachronic way.

Keywords

• Phoenician-Punic Pottery
• Tas-Silġ
• Malta
• Central Mediterranean Sea
• Cultural Interactions