POETIC FACTORS CREATING RHYTHM AND HARMONY IN NEZAMI GHAZALS

Abstract

According to our observations, at the phonopoetical level of the structure of text of ghazals of Nizami Gancavi words are selected by the poet by a principle of sound similarity or distinction. By repetition of analogous sound combinations, an alliterations (repetition of consonants) and assonance (repetition of vocals, i.e.long sounds) as an element of such stylistic figures as “touzi”, “ishtikak” the rhythm and melodic tone of a verse are created; and repetition of conformable words at phonelexical level and at lexical-semantic level of a structure of the text of a gazelles of Nizami Gancavi in structure “takrir”, “tajnis” and “аks”,“the radd-sadr alal-ajz”, it, on the one aspect, strengthens the sound expression of a verse, on the other aspect serves enri- chment of semantic shades of a word, and also promotes emotionallyaesthetic perception of the text and facilitates its acoustical perception.

Keywords

• Ghazal
• Rhythm
• Repetition
• Alliterations