THE FORMS OF REALIZATION OF GENRE SPECIFICITY IN THE DRAMATIC PLAY DISCOURSE (BASED ON G. B. SHAW'S PLAY «PYGMALION»)

Abstract

The article deals with the genre specificity of discourse in its correlation with a particular communicative situation. The author focuses attention on the verbal means of realization of genre specificity in the dramatic play discourse and provides examples based on the text of a play.

Keywords

• драматургический дискурс
• жанр
• диалог
• реплики
• ремарочный пласт
• драматургический персона
• dramatic discourse
• genre
• dialog
• remarks
• dramatic character