The Comics Grid: Journal of Comics Scholarship (Apr 2019)
Information Labour and Shame in Farmer and Chevli’s Abortion Eve
Abstract
This article conducts the first in-depth political-aesthetic analysis of Joyce Farmer and Lyn Chevli’s Abortion Eve. In this article we argue that Abortion Eve uses its visual form in a way that cuts between the contexts of later forms of graphic medicine and feminist comix, and in so doing contributed to a political culture of feminist information sharing, through a self-published visual medium.
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