Analysis of the Position of the Romantic Image in the Holy Defense Poetry, Sayed Hossein Hosseini

Abstract

Abstract The Romanticism is absolutely related to the social revolutions and transformations. The first sparks of Romanticism in the European way appeared in the Persian literature, during the Conditional Revolution of the Islamic Revolution, as well as the sacred defense, provided a suitable place for it. Romantic poem consists of special principles and technics. The poetic images in this school are different from the aesthetics, structure, and epistemic nature of the classics. The characteristic feature of romantic images is shading, implying, influencing and cooperating with feelings, transformation of nature, expanse and frivolity, and its sadness and grief. Sacred Defense Poetry, while more focused on the content aspect, but creative and innovative images cannot be ignored. The present study, based on the study of poetry books by Sayed Hossein Hosseini, is the selection of poetic evidence of the sacred defense theme, in a descriptive-analytical method of poetic images, these examples are examined and, by adapting them to the features of the image in the school of Romanticism, the most important feature of romantic images in the poetry of Sayed Hasan Hosseini is the effect on feelings, the combination of feeling and meaning, as well as the shadow of it. And since the language of the holy defense poem is explicit and implicit, implicit implications do not function in that way.

Keywords

• Romanticism
• Image
• Sacred Defense Poetry
• Sayed Hossein Hosseini