La scommessa verbo-visuale di Adriano Spatola

Abstract

This essay briefly proposes an overview about some verbo-visual creations of Adriano Spatola, the “zeroglyphics”, made from 1965 to the late eighties, that act as an example of Neo-avantgarde’s experimentation. It aims to highlight the iconism of these texts which erode the word, even the letter, to open the doors to a new language.

Keywords

• collage, Concrete Poetry, experimental, iconism, visual