Liquid Landscape: Southam, Constable, and the Art of the Pond

Abstract

Water, in its various forms—from rivers to clouds, and amphibious sites, from marshes to meadows—has long been an integral, perhaps characteristic presence in the landscape arts in Britain. Currently, water is emerging as a key element in a wider art practice and environmental imagination. This paper considers the presence of a particular, if overlooked, water feature, the pond, in the work of two artists: one contemporary and the other a historical English landscape artist, both of whom are attentive to a range of hydrologies. The first part considers the place of water in the “landscape stories” of the contemporary photographer Jem Southam, and the series on the pond at Upton Pyne in Devon. The second part addresses the “natural history” of John Constable’s watery landscapes, and focuses on the place of Branch Hill Pond in his pictures of Hampstead Heath. The works of both artists maybe be located in a long-standing topographical tradition.

Keywords

• Jem Southam
• John Constable
• David Lucas
• British art
• landscape