“Magic Portraits Drawn by the Sun”: New Orleans, Yellow Fever, and the sense(s) of death in Josh Russell’s Yellow Jack
Abstract
In ways comparable to the horrors of Hurricane Katrina and its aftermath in 2005, the series of yellow fever epidemics that devastated New Orleans through the nineteenth century were also the result, in part, of the city’s geographical position, its unforgiving climate, and the policies of interested parties; the fever’s awful death toll was likewise accompanied by a grotesque array of sights, sounds and smells. This article will focus upon Josh Russell’s 1999 novel Yellow Jack, which provides a complex portrait of the mid-nineteenth-century city, its fever epidemics, and its conflicting narratives. As well as providing an intense fictional encounter with a formative period in New Orleans’s history, Yellow Jack is a sophisticated study of the role of visual imagery in documenting such horrors, whose prose is steeped in the smells and sounds of the time and place. This article, then, will discuss this novel’s intense engagement with the various “senses” of a very particular Southern place.
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