DA PINTURA À FOTOGRAFIA: O ENCETAMENTO ICONOFOTOLÓGICO

Abstract

With the revolution provided by the Avant-garde Movements and the fall of Alberti’s perspective, there is a disruption of the mimesis, when modifying the manner of seeing, feeling and doing art, that had prevailed for centuries. Photography played a major role in this transformation, not only interfering in the way we see images in how we use the lógos to be able to see them (and ourselves) better.

Keywords

• Modernism
• photography
• lógos
• mimesis
• téchne
• iconophotology