Inspirations and Traces in the Works of Pál Frenák

Abstract

I have known Frenák’s choreographies for almost twenty years, and since 2017, I have been regularly presenting discussions at domestic and international conferences regarding studies of the aesthetic and philosophical aspects of Frenák’s work. We started to work together some years ago. I assisted in the creation of the productions Cage (2019), Spid_er (2020), Fig_Ht (2021) and Secret Off_Man (2022) as a philosophical consultant. When researching and collecting the inspirational material, I experienced impressions that affected my other works as well. My work as a philosopher with dance and the conversations with Frenák opened new pathways to self-knowledge. When it seems that everything points in the same direction and everything is about the same topic, it is time to create a trace. This was my feeling when I wrote and published my book on Frenák in 2022, entitled L’abécédaire of Pál Frenák—Transverses Between Philosophy and the Organic Movement Language of FrenÁk (Published in Hungarian and in English in one book: Frenák Pál Abécédaire-je—Átjárások a filozófia és FrenÁk organikus mozgásnyelve között, Kortárs Táncért és Jelelő Színházért Alapítvány, Budapest, 2022). In this paper, I am going to display some essential inspirations of the fantastically creative art world of Frenák.

Keywords

• contemporary dance
• organic movement language
• Pál Frenák
• sign language