REPRESENTATION OF TERRORISM AFTER 9/11 IN KATHRYN BIGELOW AND MARK BOAL'S ZERO DARK THIRTY MOVIE

Abstract

Terrorism, as a global phenomenon, has been widely respresented in various media, particularly in fiilms. One of the films that represent terrorism is Zero Dark Thirty by Kathryn Bigelow and Mark Boal. This research aims to discuss the representation of terrorism in Kathryn Bigelow and Mark Boal’s Zero Dark Thirty by using the qualitative approach and analytical descriptive method. To achieve the research objectives, we used John Fiske’s semiotics theory which is divided into three levels: reality, representation, and ideological. Results and discussion involve the visual and narrative aspects which include appearance, costume, environment, behavior, voice, camera technique, music, and casting. Zero Dark Thirty represents terrorism that is in line with the real conditions in the world, portraying acts such as shootings and bombings—including suicide attacks— which result in fatalities, material losses, and widespread trauma. These elements contribute to reinforcing stereotypes of terrorism associated with Middle Eastern countries and the conflicts surrounding them. Critical awareness is needed in watching these scenes, because as media products, television series or films serve as a way to convey information, ideology, ideas, or propaganda that serves the dominant interest in society. Zero Dark Thirty in particular offers only a single perspective on terrorism which serves American interests. This study highlights the need for critical awareness in consuming media, as films play a significant role in shaping public perceptions of terrorism and global conflicts.

Keywords

• 9/11
• film
• semiotic
• terrorism