Musica Docta (Dec 2020)
Canto degli spiriti sopra le acque
Abstract
The article examines the different versions of Schubert's Choral Lied on a text by Goethe Gesang der Geister über den Wassern, focusing mainly on the final version for male octet and string ensemble. The investigation starts with a semantic-morphological analysis of the verbal text and then concentrates on the solutions Schubert experimented with in an attempt to produce a setting as close as possible to the spirit of Goethe’s text.
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