Ars Adriatica (Jan 2016)
Further Contributions on the Expansion of Renaissance Sculpture in the Kvarner Gulf
Abstract
The catalogue of Renaissance sculpture in the Kvarner Gulf is here enlarged with some hitherto unevaluated contributions, while those already known are considered in a different context. The paper provides a description of the process of reception of Renaissance stone sculpture in this region, including the dispersion of individual workshops. The author also proposes a hypothesis concerning the workshopof Master Franjo as the dominant workshop of the region, primarily based on its prolonged activity and widespread presence in the Kvarner Islands and the nearby mainland.
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