Boletim de Pesquisa NELIC (May 2020)

Joaquim Bandeira: onomastic games and new gnomy. From Manuel Bandeira to Dalton Trevisan through Joaquim Pedro de Andrade II

  • Jorge Hoffmann Wolff

DOI
https://doi.org/10.5007/1984-784X.2019v19n30p25
Journal volume & issue
Vol. 19, no. 30
pp. 25 – 38

Abstract

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The present text goes back to the affective-artistic relation among three Brazilian intellectuals from three different generations: Manuel Bandeira, Dalton Trevisan e Joaquim Pedro de Andrade – previously from the cinema’s point of view (in a work published in 2010) and now from poetry’s and circunstance’s. The first and only Bandeira’s poem published in Joaquim, periodical edited by the young Dalton, in 1948, the “Rondó do atribulado do Tribobó” (later published in Mafuá do malungo) presents a scene in which three characters are three children and a “very fancy lady”, their mother, being a poem that looks forward to the future in an amazing way, which we want to demonstrate through Bandeira’s “onomastic games”, “new gnomony” and “circumstance verses”.

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