Ştefan Luchian : genre et classe en début du modernisme

Abstract

The article represents an analysis of the painting by Ştefan Luchian The Bath (1912) in the context of modernist dynamics and through a link with the work of American woman artist Mary Cassat, revealing new aspects of class, gender and artistic influences.

Keywords

• Ştefan Luchian
• art
• modernism
• gender
• class