THE CHAMBER AND INSTRUMENTAL ARTISTRY OF V. P. VLASOV (AS EXEMPLIFIED BY THE ANALYSIS OF „CONCERT TRIPTYCH ON A THEME OF HIERONYMUS BOSCH`S PAINTING THE LAST JUDGMENT”)

Abstract

The paper is devoted to a work by one of the leading representatives of the Odessa school of composers who has acquired world renown. Th e analysis of the Triptych reveals its concept and specifi c features of the musical language. Th e traditional and novel style features, intertwining in the composition, create an organic synthesis peculiar of the composer`s whole chamber and instrumental creation.