Problems of Information Noise in the Context of Modern Cinema

Abstract

The article is devoted to the study of the ‘information noise’ phenomenon in the context of modern cinema. As a comprehensive art form, cinema in the current era confronts this multifaceted issue. This study critically analyses the concept of information noise scrutinizing its manifestations across diverse cultural and social contexts. The author highlights various dimensions of information noise and assesses its impact on the perception and interpretation of cinematic productions, encompassing aspects like historical authenticity, value stereotyping, the preservation or substitution of core ideas, censorship influence, narrative complexity, and verbal imperfections. The article also addresses the current state of scientific development of the topic under study. It underscores people’s limitations in processing information and how perception is influenced by their socio-cultural origins. The necessity for a standardized approach to identify characteristics of information noise in film production is also emphasized.

Keywords

• information noise
• information overload
• cinematography
• social communication
• value
• historical accuracy
• perception and interpretation of information
• censorship
• film adaptation
• concept
• auteur cinema
• mainstream cinema