Catedral Tomada: Revista de Crítica Literaria Latinoamericana (Jan 2022)

Memory Located and Endriaga in La oscura memoria de las armas

  • Eleonor Concha Venegas

DOI
https://doi.org/10.5195/ct/2021.463
Journal volume & issue
Vol. 9, no. 17
pp. 145 – 176

Abstract

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In La oscura memoria de las armas (2008) Ramón Díaz Eterovic explores the topics of memory, Chile’s dictatorship, transition, violence and truth from the perspective of Detective Heredia, who goes through the streets of Santiago elucidating a murder that, based on rumours and on a conscious of effort of not forgetting history, it deals with relevant topics that were not talked about on the time of the transition to democracy, where memories become an "endriaga" at the sight of the establishment of the collective memory, birthed on the streets of the city. A memory made of testimonies dripping with the horror, torment and silence that the dictatorship imposed over the inhabitants of Santiago and allows us to configure the urban imaginary of Santiago de Chile at the time of the transition to democracy, introducing a new character into the national literary imaginary: the victim of the dictatorship who seeks justice and revenge.

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