Nadie muere del todo en Praga y El hijo judío, dos novelas breves sobre la interminable fascinación argentina por Kafka

Abstract

This article intends to carry out a comparative analysis between the nouvelles Nadie muere del todo en Praga (2002) by Susana Tampieri and El hijo judío (2018) by Daniel Guebel with the purpose of investigating whether their respective constructions on the Prague author and the ideas related to his work can reflect eventual changes in the reception of the figure of Franz Kafka in Argentina.

Keywords

• reception
• prague
• interpretation
• father
• susana tampieri
• daniel guebel