Catedral Tomada: Revista de Crítica Literaria Latinoamericana (Jan 2022)

Oscar del Barco Editor: The Construction of a Politics of Theory at Ediciones Caldén

  • Verónica Stedile

DOI
https://doi.org/10.5195/ct/2021.526
Journal volume & issue
Vol. 9, no. 17
pp. 50 – 84

Abstract

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In this paper, we look at how theory and publishing practices were intertwined in Argentina between 1967 and 1976. We do so by analyzing “El hombre y su mundo” [“The Man and His World"], a collection of books directed by Oscar del Barco for Ediciones Caldén (Argentina) during that period. We hold that del Barco´s multifaceted work as editor, translator, compiler, and essayist, created a politics of theory, focusing on two interrelated aspects: 1) a poetics of publishing, with translations of works by political theorists, structuralist and poststructuralist thinkers coming together in a unique collection mediated by del Barco’s critical texts, and 2) a "smuggling" publishing practice –as texts were selected, translated and shaped into small books from foreign magazines with no copyright permission. We see a performative force in such interrelation of theory and publishing strategies, as “El hombre y su mundo” made available books through practices and materialities that acted upon what those very books were calling for.

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